Graeme wrote:Can I suggest that for the Napoleonic period that any figures climbing the shrouds should have their hands rotated 90 degrees so that they grip a shroud rather than a ratline. the technique was to climb hand over hand holding on to a single shroud. If this sounds pedantic it's really not; the shrouds, being part of the standing rigging holding up the mast, were tightened until they were as stiff as rods of iron and therefore provided a relatively stable purchase in a rolling, pitching, yawing, environment.
Dear Graeme I almost forget to thank you.
Your critic notes saved the credebility of my Renaissance set 'sailors in the mast'.
This is what I did:
I sawed off the hands of three mastersculpts and drilled 0,4 mm holes in both hands and arm stumps, inserted roughened copper wire and glued the hands in a correct position, finished off by putty.
Then I made a new mold. I was lucky to find all 3 climbing men in one 4-pose mold. I cast them as many times as I had sets in stock already.
I opened all the bags and replaced the odd handed resin men by the correct handed.
Opening those bags meant I had to replace all the bag lables as well.
Then I had to correct the product image, made by Michel Vogt and Dirk Risser, by copy-paste proper positioned hands to cover the odd hands. Because these image fragments were hard to find, I had to restore the hands by drawing fingers with my computer mouse.
It took some weeks. But it was worth it.
Thank you Graeme