Hi...
Thank you very much for your kind words, but I think you put too much credit on me...
First, nice unpainted figures, look nice once painted. So, a big deal of the credit for the final look is on the sculptor and manufacturer side. And some of these figures are amongst the best. Their overcoats seem like in movement, with very natural folds. And this is very important because catches the light very well and looks very convincing on the pictures. And seems better painted that they really are…
Second, I do not highlight my painting. Every shadow and highlight you see is a washing and matte coating effect. But what I do, is to use lots of different colours/shades on every group of figures, no matter they are all wearing the same uniform or how smart the unit should look like. In this case, for the coats, grey or yellowish brown. Two or three different shades of it. Maybe just three or four figures in the all pack share the same coat shade. Green uniforms, same thing. Five or six different greens. Pants slightly different from jackets, some even bluish, greyish, and so on…. As far I’m painting units, not single figures, with this silly trick I made them look heterogenous and realistic.
And a few simple sacred rules...
For fine details, like weapons, belts, canteens, badges, buttons, I paint black first and then the desired colour over it.
Under metal, always black first. I paint with enamels except for metal. Black enamel, metal acrylic over it.
Black items, never black. Very dark grey, or brown, or blue…
White items, never white. Very light grey or yellow…
Once the figures painted, the best I can, it comes the moment of truth…
Matte coating to protect the painting from the traumatic next step of the process.
Once dried, heavy washing with an extremely diluted mix of black and brown. Let them dry. Looks very scary because seems that I ruined the all work.
Then, with a brush full of matte coat, I cover the full figure with an exaggerated amount of it. The matte coat solvent soft the black/brown washing very easily on the highlights (were the washing dried coat is thinner) but not much on the deep shadows (were the washing dried coat is thicker). Then, over this mess, I brush the washing from one area to another (or simply remove it) until I achieve the look I want. Then, I let enough matte coat over the surface, to allow the gravity do the rest of the job. Very slowly, before it completely dries, the matte coat mixed with washing find its way into the cracks and deep lines and out the surface.
Sometimes happens that, once dried, is not as dull as I like. Then I spayed another coat of matte coating over it.
Finally, I take the pictures under soft natural light. Never direct Sun, never front lighted.
And that’s all folks…
I hope I made it understandable…