marc zijp wrote:I think I really want it. So if you’re able to I’ll appreciate that.
Thanks in advance!
Et voilà...
The sculptor Domenico: «Italy played with my Atlantic soldiers»From Calabria to Milan, the boom in the seventies: "At first I did not say anything to my fellow artists, but I liked the new activity. And it paid well ""Boy, do you have 100 lire? Here are our news for you ». To remind him of this réclame of Atlantic soldiers that in the Seventies, from Topolino to Intrepido, was advertized on every comic, the sculptor Domenico Greco smiles. "How can I not remember it? I sculpted those soldiers, I believe we have made playing at least two generations of Italian children, "the Maestro" proudly asserts, 72, Calabrian origins but has always been resident in Milan. His studio is in via Bramante, near via Paolo Sarpi. You can enter it from a barely visible gate betweeb the succession of Chinese shops and "just in this laboratory, shortly after 1970, Sandro Compagnoni came to see me". A name that perhaps says little, but those who live over the fifty years owe to this businessman the endless battles with the toy soldiers in the afternoons after school.
The AtlanticTogether with a friend, Pietro Guerra, Compagnoni founded the Atlantic, the firm of the Bersaglieri, Alpini, paratroopers, pilots and sailors of Italy. Boxes initially rather naive but that soon became cured in every historical detail. With the corollary of endless controversy came the famous series dedicated to the revolutions: Lenin and Mao, but also Mussolini and Hitler. Then the fantasy in power: planes, models, the "Giocagol" (poor relative of the Subbuteo). And those works passed in the hands of Greek: from the series of ancient Egyptians - considered the most beautiful under the artistic profile - up to the western ones. Finally, the "astral" - as he defines them - that had as protagonists Capitan Harlock and Goldrake, the very popular protagonists of Japanese cartoons broadcast on the second Rai tv channel. These last two collections were "the swan song of the Atlantic. After entering the eighties, the children stopped playing toy soldiers. They preferred video games from the first consoles ". The company, which in the meantime had made itself appreciated from Europe to the United States, had to close its doors.
"They paid well"The Maestro continues with a flashback: "Compagnoni had heard of me, I do not know from who, perhaps from his wife who had a toy store in Via Sarpi. I was just over twenty years old and I made statues for the cribs. He asked if I wanted to dedicate myself to the toy soldiers and answered yes. It was not really my job, but I would have made an attempt. A little 'I was ashamed and initially I did not say anything about my new business to colleagues with whom we discussed the evening of Michelangelo and Canova. But I liked it. And I must say that Compagnoni paid well ".
A long processReady, go: chisels and blades of the Master - author of monuments to the fallen in different Italian squares - they begin to model wax that turns into bows, spears, helmets, Colt and Winchester, beards and bare breasts. Then the space suits of Actarus and Alcor, the galactic uniforms of the crew of Arkadia, the spaceship of Harlock. The "statuette" - about twenty centimeters - out of Via Bramante were just the first of the steps that would have brought the soldiers inside the boxes. The following only indirectly concerned Greco who sent his works with a courier company in Treviglio, in the Bergamo area, where Atlantic had production. «Here the models were wrapped in shells of araldite, a sort of very hard and resistant resin - he continues -, from which the mold was taken, a real" imprint "that then went to work with the pantograph, a precision mechanical instrument that allowed to "reproduce" these shells by reducing them in the scale 1:32 or 1:72 ".
After closureThey were those fogures "bu whoch children identified small and big toy soldiers at the toyshop. Careful three-dimensional processing today replaced by electronic printers» which was followed by the production in thousands of pieces. After the closure of the Atlantic Greco has not stopped sculpting: he worked for "other famous companies, Esci, Italeri, Waterloo 1815. But they are series aimed at adults and collectors". And the children of the seventies? "I confess: if I saw them playing with my toy soldiers, I would stop and say," You know, I carved them. What an emotion...".